The method can be only position, position scale rotation, perspective, or the sub-space warp. I’m just going to have 5% smoothness, meaning it’s going to be 5% smoother than it was before. You can change the smoothness, and I think 50% is too much. So, we’re going to have the result here, which can either be smooth motion or no motion, which will lock it off. So I’m going to drag that out and it’s already going to start analyzing.While it’s doing that I’m just going to briefly describe what we’re looking at. The warp stabilizer was around in CS6, but this is an updated version. So we’re going to use the warp stabilizer VFX, which is new to Adobe CC. Now, this is set up to be smoothed out even though I’ve done as good a job as I could out in the field shooting on a SLR camera using hand-held motion is going to have a lot of shaky jerky parts. So I’m just going to move it to 24 because it’s not that noticeable a difference, and hit okay. You could keep it at 23.976 if you want but then we’re going to be doing a lot of copying and pasting. And we’re going to find out why when we move into Cinema 4D, but it’s just because for now we’re using this because it’s a round number. And then, instead of 23 I want to have that to be an even 24. Now, you’ll notice here it thinks frame zero is frame 356, so I’m just going to go in here, change the composition settings, and one of the things I want to change is changing it from the start frame to being start frame zero and it’s still 91 frames of duration. So, you want to trim it off to the size you need. Now, when I pan through here I want to find the segment that I’ve made specifically for this, and then I’m going to hit ‘B’ to set my work area, and then I’m going to move ahead for this example, hit ‘N’ to set the of the work area, and then I’m going to trim the composition to the work area. Because we’re going to be using a lot of automated processes, we don’t want to be having the software rendering and analyzing unneeded frames. So here I’ve just called it “footage” and it’s footage of the patio outside of my building. So I’m going to take this and I’m going to drag it onto a new composition. It’ll create a composition of the same frame rate and frame size and duration as that original clip. So, inside of After Effects the first thing I’m going to do is import the footage that we want to use. These are brand new features and really simplify 3D work-flow. I’m going to show you really quickly, how in Adobe CC you can stabilize, track, and then put in 3D geometry from Cinema 4D Light. Share your thoughts and advice in the comments below! Set Ground Plane and Origin in After EffectsĪre you using a Cinema4D and After Effects CC workflow?. Adding a Cinema 4D Object into After Effects.
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